Like all the works in the series, DRAWING RESTRAINT 14 expands upon a basic idea - that struggling against resistance leads to physical and creative growth. You can even see the scuffmarks from his shoes as he braced himself against the wall. Suspended from the bridge, he reached out and started drawing. come check out our FREE public spaces, which include work by Matthew Barney, Sol LeWitt, Alexander Calder, Richard Serra, and Mark Bradford newsfmoma. installed as almost an afterthought, was the pearl in this craggy oyster of an exhibition: Barney’s performance for SFMoMA. Next, he made his way under the bridge, using carabiners and rope, to the opposite side of the skylight. The guiding metaphor for Matthew Barney’s series ‘Drawing Restraint’ (1987 ongoing) that of using resistance to build up muscle tissue is drawn from the world of athletics and fitness training. If you look up to the left, you can see the hand holds he used on the wall above the stairs. SFMOMA has had a long relationship with the SF-born artist: the museum put on Barney’s first non-gallery retrospective in 1991, followed by the co-acquisition with the Walker Center of the Arts of Cremaster 2 in 2000, and most recently, the massive Drawing Restraint retrospective in 2006. Dressed as General Douglas MacArthur, Barney scaled the walls of the museum. Do you see a drawing on the opposite wall, underneath the sky-bridge? Barney created it in an after-hours performance action here in 2006, just before his solo exhibition at SFMOMA opened. ![]() Stop on the landing and look across the skylight. ![]() A work like DRAWING RESTRAINT 14 is like a crime scene, a collection of elements waiting for someone to interpret: what happened here? An exhibition at SFMOMA followed the course of. He emphasizes the process of how his work is made as much as the product. So, he set about creating physical impediments to executing his art, deeming the exercise Drawing Restraint. The artist Matthew Barney is known for strenuous performances, unusual choices of materials, and the provocative themes he explores.
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